AICE Media Studies

 The opening credits to the film will be displayed in bold fonted letters that is type in a random allocation around the screen. The letters will be large so that the audience can clearly see the titles. The letters will be white in a black background with some sort of outline to give it some spice. Some credits will appear in the background of the setting. For example the credits may appear on the wall, or a table, or the sky. The title will be "R3VENGE". The working titled will be bold in all caps. The 3 in R3VENGE will be slightly bigger than the rest of the letters. The title will fade into the screen then disappear suddenly after a few seconds. The titles may have different sizes, but it will be the same font. The titles will be the name of the studio, name of production company, executive producer, directed by, etc. They will be bolded as well.

 For the location we were contemplating for about 30 minutes where an ideal location would be. We determined that considering our pitch, it would be wise for us to film at a park or in a common neighborhood. We decided that our first filming location would be North Andrews Park. It has the typical scenery that we are looking for. It is not a very busy place, and there are parks and roads where we can film. The people participating are myself (David), Corey, Chelsey, and Cailey. Although we have not established each others specific roles, we agreed that Corey, Chelsey, and Cailey would be one of the main characters. After discussing each other's schedules, we concluded that the week of spring break, would be the optimal time to start filming. Considering that we have the whole to ourselves, and no one is doing anything major that week. That week will be from March 18th - March 26th. We also concurred that it would be best to start filming during the day. But also we want to attempt ...

 Scene 1: First scene is in the late afternoon. Corey leaves his house through the front door to his car. As he is walking down he sends a text to his friends that he is goin to pick them up. He gets to his car, turns it on, and starts riving.  Scene 2: Corey is driving to pick up Cailey. At a red light Corey texts Cailey that he is near. He proceeds to pull over on the side of the road.  Scene 3: Cailey then walks to the car and opens the door to the driver's side backseat and sits in the middle. Corey and Cailey now a driving to pick up Chelsey.  Scene 4: Corey is shown connecting his cell phone to the car Bluetooth to play some music while the two are driving to pick up Chelsey.  Scene 5: Chelsey is shown waiting outside to get picked up. She is shown receiving a text from Corey saying "I'm down the street." A long shot captures both Chelsey and Corey's car. The car arrives at Chelsey's location and she gets into the front passenger seat and says hi to Core...

The first opening sequence being analyzed is from The Invisible Man. I found it on the website artofthetitle.com.  The titles are displayed in this order: Universal a Comcast Company BH Productions Universal Pictures Presents A BH / Goalpost Production In association with Nervous Tick Productions The Invisible Man In the opening sequence, an image of a spinning globe with the title UNIVERSAL is the first image shown. The second image is a room, with a chair mid-air, a demonic girl, then a yellow dirt-stained wall, where the title BH Productions appears. Furthermore, a live scenery of waves crashing against rocks on a coast is shown, at night. Lastly, a cliff with a house on top of it in the distance is shown, with the lights on inside.  Each of these images shown, do not carry any resemblance of happiness or joy, but rather, feelings of eeriness and suspense. The dark scenery of the waves makes the audience feel spooked even before the movie starts. In the very beginning a few...

 The opening sequence for The Black Phone was found on artofthetitle.com. The opening of The Black Phone  shows the following titles: Studio name, name of the production company, actors' names, film title, casting by, music by, costume designer, editor, production designer, director of photography, producer and executive producer, story writer and director. In the opening sequence, a black van is seen pulling up on a kid, there are other kids who are seen playing and running around in the streets, then kids are seen entering school arriving on their bikes or walking. A suspicious car and blood are shown, then we see empty playgrounds ad bikes. Finally, many missing posters or flyers of missing children are put up on the street. The images carry connotations of anxiety, and covey a terrifying feeling. The film establishes itself as a thriller in the very beginning when the black van approaches a kid riding their bike. One can notate that something is wrong through the was the f...

 The opening sequence for the film Get Out, was found on artofthetitle.com In the film Get Out, there were a solid amount of title sequences shown. The titles ranged from the name of the studio, name of the production company, the film title, casting by, music by, costume designer, movie editor, production designer, the director of photography, who produced is, wrote it, and the director of the movie. The first image prioritize in the opening sequence, is the street view of a neighborhood street. Then a forest, photographs of one of the main characters, the apartment of the main character and him shaving. Furthermore, his spouse giving him food, and the main character browsing through the photos on his camera. The connotations that these images presented give off anticipation and is forecasting future events in the movie. The movie establishes a feeling of thriller through the outset by showing someone being kidnapped at night creating a spooky sensation, and feelings of anxiety. T...

The opening sequence for this movie was found on artofthetitle.com. In the opening sequence of the film Parasite, there are many titles shown. About 12 titles are displayed in total. Each of the titles display the name of the actors, the production company and everyone that participated in the production of the movie. The images that are prioritized are the dirty windows and the socks that are hanging. In the sequence, the camera tilts down, onto one of the main character's as he is attempting to connect to the Wi-Fi, somewhat desperately or hurriedly. This is one of the only instances of connotations in the sequence. The outset is a little hard to understand, as the audience. Moreover, you question why we the audience are seeing a dirty window and walls, along with socks hanging, or why the main character is desperately attempting to connect to the Wi-Fi. I don't believe any extraordinary techniques were used to hook the audience through the opening sequence. Technology was ef...